The Man in the High Castle Season 3 Episode 5: The New Colossus Recap

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The New Colossus is such an eventful episode that it’s hard to know how to even summarize it. The title refers to the centerpiece of Nicole’s Jahr Null plan, replacing the Statue of Liberty with a new statue based in part on the image of Thomas, but also to John Smith and the power he accrues, which is supposed to keep him and his family safe, but instead hangs like an albatross around his neck.

The themes of identity, spirituality, community and responsibility continue to be explored this episode. Frank engages in soul searching before his bar mitzvah, trying to discern how to best atone for his sins while keeping his current community safe. Helen works through her grief and wonders how to reconcile her feelings about Thomas’ death with being a strong wife and mother. Juliana struggles with the meaning of the films and how they relate to her relationship with Joe in this world. John has to come up with yet another scheme to retain power and protect his family, this time breaking up my dream team of Rockwell and Hoover.

The episode begins with Himmler overseeing the graduation exercises executions of more Lebensborn assassins. His favorite is a tall, broad, blonde named Hans, who is the best the Reich has to offer. Hans is able to shoot fleeing Jews in the back faster than anyone ever, making Papa Himmler ever so proud.

Keep repeating to yourself that even in this reality, the Reich will fall eventually, and take some deep breaths.

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The Man in the High Castle Season 3 Episode 3: Senso Koi Recap

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While episode 2 brought a series of endings to the world of The Man in the High Castle, and the feeling of fully completing storylines from previous seasons, episode 3, Sensô Kôi, contains reunions, beginnings and revelations. John Smith has the biggest revelation of all. Dr Mengele convinces him that the films he’d dismissed as fake after he learned about them as part of Hitler’s collection are, in fact, documentation of other realities in which other versions of ourselves live similar but different lives. The awakening to possibilities that cascades through Smith’s head is practically visible.

Juliana and Joe are reunited, but spend most of their time circling each other cautiously. The two amateur spies have grown up to become lethal weapons and the young pair who were uncertain of their causes have firmly chosen where they stand. Unfortunately it’s not on the same side. The films prove that they have a deep connection in every reality, but death is usually involved when they are together, going all the way back to the season 1 films. The current crop of films raises the stakes even higher.

Nicole’s film documentary about Thomas Smith has its premiere with everyone who’s anyone in the American Reich in attendance. It’s clear that the film is thinly veiled propaganda meant to position John Smith as the next Reichsmarschall. The film leaves Smith’s enemies seething, especially Hoover and Rockwell, my very favorite villain duo on this show ever. Rockwell has a certain charismatic panache that we don’t see often on MITHC, and Hoover just loves being his sycophantic evil flunkie so darn much.

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