The New Colossus is such an eventful episode that it’s hard to know how to even summarize it. The title refers to the centerpiece of Nicole’s Jahr Null plan, replacing the Statue of Liberty with a new statue based in part on the image of Thomas, but also to John Smith and the power he accrues, which is supposed to keep him and his family safe, but instead hangs like an albatross around his neck.
The themes of identity, spirituality, community and responsibility continue to be explored this episode. Frank engages in soul searching before his bar mitzvah, trying to discern how to best atone for his sins while keeping his current community safe. Helen works through her grief and wonders how to reconcile her feelings about Thomas’ death with being a strong wife and mother. Juliana struggles with the meaning of the films and how they relate to her relationship with Joe in this world. John has to come up with yet another scheme to retain power and protect his family, this time breaking up my dream team of Rockwell and Hoover.
The episode begins with Himmler overseeing the graduation
exercises executions of more Lebensborn assassins. His favorite is a tall, broad, blonde named Hans, who is the best the Reich has to offer. Hans is able to shoot fleeing Jews in the back faster than anyone ever, making Papa Himmler ever so proud.
Keep repeating to yourself that even in this reality, the Reich will fall eventually, and take some deep breaths.