Reprisal Season 1 Episode 2: A Flintlock & A Hound

Doris Finds Her Guys & Witt Wrings His Hands

The title of episode 2, A Flintlock & A Hound, refers to an old-style gun fired by striking a spark from a flint and a traditional type of hunting dog. In other words, the hunt is on, and the hunters are armed and ready. Doris is searching for the best crew to act as her backup when she confronts her enemies in the Banished Brawlers. Big Graham is framed by Molly and Doris and thus on the hunt for revenge. Individually and as groups, the Happiness Ghouls and the Banished Brawlers are hunting for a lot of things, most of them conflicting. Joel is definitely trying to maintain the status quo, but he’s not getting any help. The hunt for peace is never an easy one.

Recap

The episode begins with a major piece of Ethan’s origin story. Late one night in Detroit, several weeks ago, Ethan prepares to leave work at Doris’ restaurant. As he says good night to her at the bar on the way out, they’re both mocked by the last customer, an obnoxious redneck. The bartender informs the redneck that it’s closing time. The customer continues to argue and insult the staff before he stumbles outside, shoving Ethan as he leaves.

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Reprisal Season 1 Episode 1: The Tale of Harold Horpus Recap

Reprisal S1Ep1 Doris & Graham.png

My review of Reprisal season 1 is HERE.

In episode 1 of Reprisal, we’re introduced to Katherine Harlow, aka Doris Quinn, who begins the story as a scorned part of the Banished Brawlers gang, but soon reinvents herself into Chef D, a respectable Detroit caterer. Unfortunately, Chef D finds that the men of the Detroit restaurant world aren’t much different from the men of her hometown gangster world, which forces her to make some decisions that will affect more than just herself. As William Faulkner said in his novel Requiem for a Nun, “The past is never dead. It’s not even past.”

Reprisal takes place in a neo-retro noir alternative world that could be the recent past, but could also be a future which has regressed technologically. It could be 100 years into our future, in which we’ve dialed back the level of materialism in order to save the planet or because of the way wealth has been redistributed. In the retrofuture world of Reprisal, Original Star Trek’s communicators have become modern flip phones, which are in use alongside old style land lines. The music spans many decades, from rockabilly and blues to punk.

Much of the series’ look refers back to the post-war era of the late 1940s-60s, especially as viewed through the lens of film.The creators have drawn from films such as Rebel Without a Cause, Rocky Horror Picture Show, Dirty Dancing, Blade Runner and American Graffiti. They’ve combined the neon of the 50s and the neon of neo noir/cyberpunk into their own disaffected, Gothic Noir style.

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