Dark Season 1 Episode 5: Truths Recap


In episode 5 of Dark we meet the mysterious Noah in two different time periods. After the relative calm of episode 4, Truths increases the intensity, as it switches between 1986 and 2019, sees one character falsely accused of rape, and investigates the disappearance of a third boy in 2019. After Elisabeth’s near miss in episode 4, it seems safe to say that the kidnapper only wants boys. Other truths are revealed in this episode which are much trickier.


The episode opens with a split screen montage reminding viewers where the story left each character in each time period.

Hannah obsesses over Ulrich in 1986 and 2019. In 1986, they’re friends, but she’s also making a stalkery scrapbook about him. In 2019, she’s called him 22 times, and he hasn’t responded.

Charlotte and Egon, the 2019 and 1986 police chiefs, stare at their missing persons boards in frustration. In 2019, Charlotte has added Elisabeth’s friend Yasin to the board. In 1986, Egon looks for a different case to distract himself from the lack of leads on Mads.

In 1986, Ines looks in on Mikkel in his hospital room. In 2019, she pulls out a children’s book called I Am Not Afraid and smiles, remembering the past with her son.

1986 Ulrich meets Hannah on his bike, while in 2019 he sits in Mikkel’s room and ignores her calls.

In 2019, Martha repeatedly calls Jonas. Jonas lies in bed, ignoring her calls. He stares at the red noose someone left on his bike and looks tragic. Bartosz repeatedly calls Martha, but she ignores his calls. Their love triangle gets a triple screen. Jonas looks even more beautifully tragic. Cue the opening credits.

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Dark Season 1 Episode 4: Double Lives Recap

Dark 104 Jonas as Seen from Inside the Cave

Let’s go deeper into the rabbit hole that Dark is taking us down.

The Clockmakers’ voiceover:

“Black holes are considered to be the hellmouths of the universe. Those who fall inside, disappear forever. But, where to? What is it that exists behind a black hole? What other things vanish there, along with space and time? Or, are space and time tied together as part of an endless cycle? What if everything from the past was actually influenced by the future?”

Helge: “Tick tock, tick tock, tick tock.”

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Riverdale Season 2 Episode 9: Chapter Twenty-Two- Silent Night, Deadly Night Recap


Welcome to Riverdale’s nightmare before Christmas! Santa brought us what I suspect is a fake Black Hood, two kisses with two different girls for Archie, leadership of the Junior Serpents for Jughead, vanquishing to Greendale for Penny, either a new career for Penelope or a new stepdad for Cheryl, and a partridge in a pear tree and an actual Christmas nightmare for Betty.

No, I don’t mean her kiss with Archie.

Plus, Santa brought us the brief return of Nana Rose Blossom and a flat-stomached Polly Cooper. Stay safe, ladies!!

It’s very early Christmas morning when Polly, who’s not pregnant, wakes Betty up to come downstairs to see Santa. Betty follows her, only to find that Santa is the Black Hood in a Santa Hood. He’s coming for her, but she backs away from him, and wakes up from her nightmare.

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Riverdale Analysis: Betty Cooper- Hitchcock Blonde and Object of Obsession


Who is the Black Hood and What Does He Want with Betty?

At the beginning of the season and the Black Hood storyline, Archie and Veronica each wondered if the Hood was targeting people close to them, because Archie was connected to the victims and Veronica tends to assume her father is connected to most crimes in Riverdale, unless she’s given proof that he’s not.

Those assumptions turned out to be red herrings, and we soon discovered that the Black Hood is obsessed with Betty Cooper, who is a Hitchcock blonde, as Jughead told us last season. Polly and Alice are also Hitchcock blondes, and the Hood has some interest in them as well, but Betty’s virgin status, overall goodness and sleuthing abilities specifically seem to make her the object of the Black Hood’s desire.

The shooting of the Sugarman (assuming he was actually shot) takes away most of the suspicion that Betty’s stalker is an imposter. There’s a “romantic” side to the Hood’s obsession. He’s giving her gifts, being extremely possessive, and is inspired by her sexual purity. That sounds like someone who wants to own her. He’s attempting to use his favors and crimes as rewards and punishments to train her into submission to him.

A Hitchcock blonde is the kind of tall, icy blonde that Alfred Hitchcock favored for his leading ladies. The characters were independent, mysterious, duplicitous, and unexpectedly passionate. They were often objects of obsession in his films, and of Hitchcock’s personal obsessions in real life.

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Riverdale Season 1 Chapter Eight: The Outsiders Recap


This week’s episode centers around Polly, finally in Riverdale, available to tell her side of the story, and to give the Blossoms and the Coopers a chance to fight over her in person. Jughead references The Stepford Wives in his opening voice over. There are two facets to the story of The Stepford Wives at play here. The first goal is turning all of the wives into perfect clones that fit the exact parameters of societal and male ideals of perfection, which is done by replacing them with androids. The second goal is finding the wives with secrets and intelligence, and moving them to the top of the replacement list. So many secrets are revealed in this episode, and so many characters try to control and manipulate other characters. Too many for me to list in what has become a very long recap.

Jughead tells us in his opening voiceover that Alice and Hal Cooper were high school sweethearts who got married and had two beautiful daughters. Their lives appeared perfect until Polly got pregnant and Jason was murdered.

Then Jughead recounts a summary of Polly and Jason’s history together. None of the information is new, but we do see new footage while he talks, including a conversation between them in the school hall with Polly in her cheerleader uniform, an argument at Pop’s, Nana Rose giving them her engagement ring, and the two of them at Pop’s while making plans to run away. Jughead is sitting across the aisle from them, looking bored as he watches.

Polly is sitting in Hermione’s living room, telling her story to Sheriff Keller. She tells him that the last time she saw Jason was the day that they made plans at Pop’s. Jason was going to make a one-time drug delivery upstate in order to raise the funds for he and Polly to run away together. He made a deal with the Serpents to deliver the drugs in exchange for cash. The drugs burned up in Jason’s car, along with the ring, and everything else she had to remember him by. Hermione stops the interview when Polly gets upset.

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The OA Season 1 Episode 8: Invisible Self Recap


This episode brings us to the end of season 1 and the end of the story of Prairie’s captivity. It’s full of endings, and possibly beginnings. We’re left with an ambiguous ending to the episode, after everything Prairie has told us has been questioned, reminding us that her mental health has been in question since Nancy and Abel adopted her. It’s left up to the viewer to decide how much to believe is real, and how much is fantasy, delusion or coincidence.

This episode picks up exactly where episode six left off, with Sheriff Markham walking in on Hap engrossed in listening to the rings of Saturn, while sitting in front of the captive monitors. Hap immediately confesses, but offers to use the captives to heal the Sheriff’s wife, Evelyn, who is dying from ALS. The sheriff appears unmoved as he cuffs Hap, and protests that he doesn’t make deals. Hap quotes his late mentor, Leon, saying that they both know there is no good or evil, only what a man can stand. Sheriff Markham says nothing as he drives Hap away in his patrol car without checking on the hostages. The next scene shows him carrying Evelyn to the car. He’s given in.

The captives get excited when the sheriff brings Hap downstairs at gunpoint, but only Homer and Prairie are taken out of their cages, then forced upstairs. Hap leads them to a bedroom, where he shows them Evelyn lying twisted on the bed, and tells them that he is going to lock them in the bedroom until they heal her. He and the sheriff will be watching through the monitor. He leaves Prairie and Homer alone with Evelyn.

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The OA Season 1 Episode 7: Empire of Light Recap


This is a difficult episode. Buck’s front door slamming shut was indeed a bad omen. We spend the episode entirely in the present day, as those characters are faced with increasing emotional challenges. Prairie starts moving back out into the world and confronting people’s image of her as a victim. She’s forced to face the pain she’s caused her adoptive parents, and the trauma they caused her as a child. Her story starts to come full circle.

Abel and Nancy are woken up in the middle of the night by Prairie screaming and crying. He goes in to check on her and finds that she’s had one of her premonitory nightmares. He sits with her as she recovers. Prairie asks Abel if he’s mad at her for running away. She tells him that she thought he’d understand her note, and that she’d be back in a few days. He looks surprised, then tells her that he forgot about the note.

Prairie tells Elias, her therapist, about her dreams. He asks where the latest dream took place. She describes a place with high ceilings, lots of glass, and metal clanking, like silverware. He suggests that the dreams may be her mind putting together small clues from her environment rather than true premonitions. The dreams occur at important junctures in her life. This could mean that another juncture is coming.

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The OA Season 1 Episode 6: Forking Paths Recap


Hap is spiraling out of control, as the captives’ bond grows. He’s forgotten the original premise of his experiments, and become obsessed with Khatoun’s movements. He’s as driven to find the last movements as the captives, and to understand what the movements lead to. His obsession leads him to start making mistakes.

Buck is trying to sneak out to the regular meeting at the empty house, but his parents are still downstairs. He practices the movements until he can slip out unnoticed. On his bike ride to the house, he sees flares lighting the remains of a crash on the side of the road. The others wait for him before they start, even though he’s a little late.

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The OA Season 1 Episode 5: Paradise Recap


What is Paradise? It’s subjective, in the end. Growing up in one of the snowiest cities in the country, with a depressed, Rust Belt economy, paradise always sounded like a warm tropical island to me. But warm tropical islands have depressed economies and natural disasters of their own, making the people who live there want to find a different sort of paradise just as much. This episode looks at the expectations we have for escape, for each other, for paradise, for whatever we think should be perfect in our lives.

Hap is in a bar in Cuba to listen to a woman who plays flamenco guitar. After the performance, he approaches her on the patio. They chat, and he steers the conversation toward his study. She is an NDE survivor, and only took up the guitar after her experience. Hap makes her his usual offer, and includes helping her escape from Cuba. But she’s not as young or desperate as his other subjects. She rejects him, even though she wants to get off the island. He looks shocked, like it’s the first time this has ever happened. She dances away with a much younger man.

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Riverdale Season 1 Chapter Seven: A Lonely Place Recap


This week we are in a Wes Craven movie, among other things. I really wanted Jughead’s new home to mean that he’s Harry Potter, but Wes Craven has a movie called The People Under the Stairs, so that interpretation has to win out. For now. Not giving up completely on the idea of the Blossoms as the anti-Weasleys.

Jughead starts his voiceover musing on what makes a place feel like home. Warmth, familiarity, love, safety, acceptance, an idealized version of the American Dream? While he’s speaking, we see him sitting in a “typical” mid 20th century American kitchen with the Coopers, Jason Blossom, and Veronica. Jughead looks disturbed every time he notices something new in the scenario. Everyone else is blissfully happy. The room looks like something out of a Wes Anderson movie. Hal hands Jughead the utensils to carve the turkey that’s on the table. Jughead looks over to see his dad alone in a dark, messy living room watching TV. The knife disappears and Archie comes over to ask why Jughead stabbed him in the back. Sure enough, that’s where the knife is.

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