In episode 5, The Witch Is Coming, Adrian speaks directly to the audience for the first time, perhaps trying to seduce us into joining his next venture, after Red Pill is done self-destructing. He shares his personal manifesto, giving viewers insight into his motives and background. As it turns out, the theme of episode 4, friends (and family) let us down, is the theme of Adrian’s life, one he’s reenacting in his cults. Each suicide or murder is a proxy for his own issues. As a real life human, he remains invisible, perhaps because he wants to erase himself most of all, but can’t until he’s done with his revenge on the world.
Take a life, any life. Take your life. Think about all the people you’ve encountered today. This week. This year. Then think about how many people you’ll encounter in your entire existence. Family, friends, colleagues, enemies, lovers. The ones who stuck around. The ones who got away. Fleeting, stolen relationships. Endless friendships that ended. Consider the ones you loved and couldn’t tell, or were afraid of, or secretly yearned to humiliate, or maybe suck out of the world. Then consider how it would be if it were all possible. If you weren’t lost, buried in your stupid life. But making it, shaping it and molding it until you had everything you deserve. And you were loved as you should be.
This is what the cult and the game offer. If you play along with Adrian, he promises that eventually, after you’ve done everything he asks, he’ll be the one who’ll love you forever, unconditionally, in the beautiful mansion next to turquoise waters that Tess is arriving at now. It’s the sort of place that’s owned by the very wealthy, who can afford to mold and shape their lives, and pay people to stay with them. But, as the Beatles taught us, even the wealthy can’t buy real love.