Made for Love Season 1 Episode 3: I Want This Thing Out of My Head Recap

Made for Love S1Ep3 Hazel with Club

In episode 3, we learn more about Hazel and Byron’s lives inside the Hub through an exclusive interview with Keegan James (Nyasha Hatendi) of Weeknight America, the only journalist ever allowed inside the Gogol complex. The story then returns to Twin Sands, picking up where episode 2 left off, with Byron (Billy Magnussen) and Hazel’s (Cristin Milioti) argument about their marriage. Eventually, Byron gives Hazel a few minutes “to herself” to think while he and Herb (Ray Romano) catch up. Herb treats Byron more like a potential investor than his son-in-law. Byron watches Hazel’s every move on Herb’s TV rather than allowing her privacy.

That sums up the relationships on this show- they appear to be about either materialism or obsession or both, with a dose of neglect thrown in to counterbalance the obsessions. The characters are unable to see below each others’ facades and remember that they are dealing with fellow human beings (or living creatures) who have feelings, needs and rights of their own. In their own way, each one sees the others as a means to an end, rather than a being worth connecting with simply for the sake of love, friendship or community.

Episode 3 confronts the facades and begins to deconstruct them.

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Made for Love Season 1 Episode 2: I Want a Divorce Recap

Made for Love S1Ep1 Family in Truck

In episode 2, Made for Love begins to explore Hazel’s relationship with her father while continuing to expose the frightening lack of boundaries in her marriage to Byron. Herb and Diane try to help Hazel get further away from Byron. Hazel has another run in with Lyle, whose motives remain unclear.

Recap

In the episode 2 cold open, Hazel (Cristin Milioti) is seated in her lounge chair by the pool for her morning reading session, a repeat of what we saw in episode 1. Except this time, Byron (Billy Magnussen) isn’t in the pool with Zelda and Hazel passes out after she takes a drink from her glass. As she loses consciousness, she knocks the glass over, the memory that flickered through her mind in episode 1 when she saw a shard of broken glass by her chair. The Mickey and Sylvia version of Lover Boy plays in the background.

Love is strange and a lot of people take it for a game.

Several people who are dressed in scrubs (including, I believe, Fiffany (Noma Dumezweni) in the black scrubs) swarm Hazel, strapping her to her lounge chair, blindfolding her, and prepping her for poolside surgery. Her biological information is displayed on a billboard sized monitor on the side of the house, while a machine implants the Made for Love chip into the side of her head. Byron sits on the chair next to hers with his back to her, watching the display on the monitor instead of his wife as her body and her privacy are violated. Zelda the dolphin keeps swimming.

I’m not sure if roofying your wife then performing experimental surgery on her BRAIN without her consent are grounds for divorce in California, but I can’t imagine they’re not. They inserted an experimental device into her BRAIN made from who knows what materials- the allergy and cancer causing potential alone are off the charts, before the app is even activated. The term “mind rape” applies in so many ways here.

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Made for Love Season 1 Episode 1: User One Recap

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Made for Love is a half hour dark comedy from HBO Max starring Cristin Milioti (Palm Springs), Billy Magnussen (Maniac) and Ray Romano (Everybody Loves Raymond). Made for Love was created by Patrick Somerville (Maniac, The Leftovers), Alissa Nutting, Dean Bakopoulos and Christina Lee, based on Nutting’s novel of the same name. The series explores the life and crumbling marriage of a directionless millennial, Hazel Green (Milioti), and her controlling, tech billionaire husband, Byron Gogol (Magnussen).

Made for Love uses the same edgy, absurdist tone that Somerville utilized in Maniac to examine modern relationships- human to human, human to tech, human to dolphin, human to inanimate object, and so on. It’s a story about obsession, love, fear of loss and death, desperation, need, forgiveness and humanity. Sometimes there’s more humanity found in animals, tech and inanimate objects than there is in humans, but, as Kurt Vonnegut said in Slaughterhouse Five, so it goes. As is so often true, hope and optimism play a large role in success, for both good guys and villains. Even nihilists need to believe in something to succeed long-term. Whether someone is a good guy or a villain is wholly dependent on point of view. And finding the correct app.

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