While episode 2 brought a series of endings to the world of The Man in the High Castle, and the feeling of fully completing storylines from previous seasons, episode 3, Sensô Kôi, contains reunions, beginnings and revelations. John Smith has the biggest revelation of all. Dr Mengele convinces him that the films he’d dismissed as fake after he learned about them as part of Hitler’s collection are, in fact, documentation of other realities in which other versions of ourselves live similar but different lives. The awakening to possibilities that cascades through Smith’s head is practically visible.
Juliana and Joe are reunited, but spend most of their time circling each other cautiously. The two amateur spies have grown up to become lethal weapons and the young pair who were uncertain of their causes have firmly chosen where they stand. Unfortunately it’s not on the same side. The films prove that they have a deep connection in every reality, but death is usually involved when they are together, going all the way back to the season 1 films. The current crop of films raises the stakes even higher.
Nicole’s film documentary about Thomas Smith has its premiere with everyone who’s anyone in the American Reich in attendance. It’s clear that the film is thinly veiled propaganda meant to position John Smith as the next Reichsmarschall. The film leaves Smith’s enemies seething, especially Hoover and Rockwell, my very favorite villain duo on this show ever. Rockwell has a certain charismatic panache that we don’t see often on MITHC, and Hoover just loves being his sycophantic evil flunkie so darn much.