In episode 2, we follow Helly as she goes through the severance procedure in a flashback, then jump back to the present and watch her first full day in the Microdata Refinement department. Mark calls in sick in order to visit the address on Petey’s card.
The episode opens with Helly (Britt Lower) filming her video testimony consenting to the severance procedure. Milchick (Tramell Tillman) records the video then walks her to the procedure while going over some of the details of the day. They walk through an upper floor of the vast, open lobby that we watched Mark walk through in episode 1. Milchick stops in front of the monolithic bust of corporate founder Kier Eagan (Marc Geller) to comment that he loves
the smell of napalm in the morning the look of the sunrise over Kier’s face. The window frame shadows create a series of bars across Kier’s face, enhancing the prison quality of the building’s architecture. Shadow bars are a staple of Film Noir cinematography, so they instill a subliminal sense of peril all by themselves, without Big Brother watching behind them or the reference to the monolith from 2001: A Space Odyssey.