Everything. Anything., the season 1 finale, begins much the same way as the season premiere did, with the camera floating across the fjord to give the audience a panoramic view of the beauty and isolation of Sanctum’s setting. As with the premiere, Bendik’s Halvorson’s plans are spiraling out of control and he’s trying desperately to stop the chaos. Sanctum is his kingdom, and he rules it with an iron fist covered by a velvet glove. But even on an isolated island, the past has a way of coming back to haunt you.
Live by the sword, die by the sword, as they say.
The shots of the fjord gradually transition to a montage which recaps the season, reminding the viewer where we are now and how we got here. Sohn’s The Wheel plays over the montage. It has a pretty melody and vocals interrupted by staccato silences that sound to me a lot like a record skipping. The contrasts in the song fit the contrasts in the show’s physical and emotional environment well. Every character’s life has been interrupted and rendered out of sync by the events of the season.
On a side note, John is still naked in the morning. I find it hilarious that everyone else at Sanctum is wrapped in multiple sweaters and layers from head to toe, 24/7, but they got John naked as soon as he stepped onto the island. The harem’s been deprived of a broad-shouldered specimen like him for ages and they’re going to take advantage of it. While they launder his clothes, of course. Slowly.
Continue reading “The Innocents Season 1 Episode 8: Everything. Anything. Recap and Season 1 Speculation/Analysis”
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