The fall weather in Albuquerque is just too nice to spend inside writing, though I’ve written several partial recaps that will hopefully appear eventually. Have some photographs in the meantime. Here in the Southwest, most of the trees turn bright gold in the fall instead of the reds the Northeast is famous for. The color is stunning, glowing in the sunshine, contrasted with our deep cornflower blue skies and pinkish Sandia Mountains.Continue reading “Almost Heaven in New Mexico… Cottonwoods and Sandhill Cranes Along the Rio Grande on a Perfect Fall Day”
One Child Nation * 2019 * Rated R * 1 Hour 28 Minutes
😸😸😸😸½ Rated 4 1/2 out of 5 Happy Lap Cats
One Child Nation is a very personal documentary, made by director Nanfu Wang when she had her own first child and began to seriously consider, for the first time, the implications of China’s one child policy, which she had been born and raised under. Wang had relocated to the US years before her son was born, so her pregnancy was unaffected by the harsh government program, which was in force from 1979 to 2015. But the internalized trauma from growing up in that environment, from events she didn’t even realize she’d absorbed, began to affect her attitude toward her own pregnancy, so she set out to examine the wide-ranging effects of China’s long-term push to gain control of its population size.
Netflix’s series Daybreak is a post-apocalyptic story of tribalism, cannibalism and misogyny wrapped up in a pop culture bow. The tribalism and cannabalism are intended. I’m honestly never sure at this point how much of the vast ocean of misogyny coming from the entertainment industry is intended to keep us in our place and how much is subconscious. I do know that this level of stereotyping in today’s world can’t all be accidental.
In the Daybreak universe of Glendale, CA, following atomic and biological warfare, it’s made clear that white alphas rule and others are there to be sacrificed or serve. The white alpha males prefer consorts who are attractive, blonde women. The one gay male alpha has a secret, black, male consort.Continue reading “Netflix’s Daybreak: Diversity Doesn’t Guarantee Heart or Equality”
I put up a new post on my other site, WitchyRamblings.com today. Take a look!
Photo by Gratisography on Pexels.com
The Katie Hill revenge porn saga highlights much that’s wrong with our culture today, especially when juxtaposed against the Trump non-impeachment saga. I’ve watched both unfold with horror, reminded of how truly powerless we average citizens are. Of how powerless women ultimately are.
I don’t have the answers for how to stop revenge porn or Donald Trump and the Republicans. I mean, I do- enforcing the constitution and laws that are already in place would be a good start. So would treating women like the equal, dignified human beings we are. But more energetic, smarter people than me are working very hard on those crises. Sometimes the problems of the patriarchy seem intractable and like they’re only getting worse, no matter how hard we fight.
So today, I’m going to focus on the issue in a more individual way. I was struck by how victimized…
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Dark season 2 episode 7, The White Devil, grants the wishes of some of the characters, but some dreams come true as nightmares. Old Claudia’s body is found in 1953 and identified by Child Helge as the White Devil. Hannah takes a trip to 1953 to visit the other White Devil, Ulrich. She meets the Young Adult version of Egon while she’s there.
In 2020, Katharina goes full warrior goddess. She remembers she has a daughter to protect from incest and sketchy boyfriends who have become old men. Plus, she decides she’s ready to become a time traveler.
Martha meets Stranger Jonas and learns the truth about their relationship. Thanks, Mom.
Adult Claudia puts off the French delegation again, then takes the day off to prevent Egon’s death. It’s her turn to learn that the past/time can’t be changed, even if the events she’s focusing on feel to her like they are in the future.
If you are into drinking games, taking a shot for every apology given during this episode could be fun. Or it might be necessary to help you get through the episode.
I’ve gotten some new followers lately, so, Hi and welcome! There’s something I need to say to everyone, before we go any further.
Currently, most of you are here to read Dark, a show we all love. But the character of Hannah is the target of so much misogyny it’s scary, on the show and in the real/online world. This pertains to other shows as well, with other characters who become the target for misogynists. On Altered Carbon season 1, it was Kristin Ortega. On Agents of SHIELD, it’s Daisy. Women who think and act for themselves, without regard to what the men around them want. Just like men do.
In the real world, women like Hannah, Kristin, Daisy and me (and you, if you are a woman) die every day because misogyny isn’t recognized, so, even though some of you would like me to, I won’t shut up about it. While racism is getting the attention it needs, the hatred and oppression of women, the other motivator for mass shootings, everyday killings and abuse, is largely being ignored, even though it was the motivator for the second shooting of the weekend of August 4, 2019, in Dayton, OH. Even though violence against women is on the increase, separate from mass shootings.
Racially motivated violence is described as being ideologically motivated, a label that gives it more weight and prompts calls to action to stop the white supremacists and white nationalists. Meanwhile, “experts” and law enforcement officials acknowledge the misogynist opinions and activities of violent criminals but refuse to acknowledge that misogyny is an ideology that leads to living a violent, cult-like lifestyle just as religious and racial extremism do.
Yet we know that many of the most recent mass shootings have been perpetrated by misogynist extremists who identify as such, calling themselves by such names as Incels (involuntary celibates) or Red Pillers (anti-feminists). It’s time we started calling out extremist misogyny as the dangerous, cult-like IDEOLOGY that it is.
This Seems Like a Good Time to Talk About Ulrich as a Horned God (Who Is Tied in Knots)
**Spoilers through Season 2 Episode 8**
Okay, let’s give this a whirl. As you might imagine, Horned Gods aren’t my specialty, so I’ve done some research. But also, by the end of season 2, everything metaphorical in Dark is twisted and tangled together, just like the storylines. In season 1, we had nice, neat metaphors presented in ways that couldn’t be missed, with deeper meanings there if you wanted to search for them.
But, before we go any further, a warning. I can’t ignore current events while I’m writing this, and that’s not what I’m about, anyway. This piece was always going to examine the characters, mythology and their connection to the real world. Then the real world didn’t give me a choice. The creators of Dark didn’t choose to have boys be the ones to disappear simply to give women a break from victimization. The boys of the real world are making themselves disappear, and they’re often doing it while armed to the teeth.
They set the show in a town which was losing its main source of employment and then put that town through a slow dystopia which led to a fast apocalypse. This is what Western culture has put itself through since the 1970s, when corporations began moving manufacturing jobs from their traditional bases, and the towns whose original farming and small business economies were destroyed by the factories in the 19th century were now destroyed by the factories leaving.
Because life is political, so is entertainment, and so is our blog. Because we know that the creators of the shows that we love can do better. If no one points out where the issues lie, how will they know where they need to improve?
We live in the real world, where mass media has an effect on people’s attitudes. It’s important to examine closely exactly what we’re being shown and what messages are actually being delivered. It’s the only way that change happens.
Whenever we start analyzing how a show is doing in regard to its male/female ratio and other forms of diversity, and compare how characters from different demographics are being treated, we are always met with the response:
But aren’t the male (and white) characters being treated the same way as the women?
This is where attention to detail becomes important, plus the ability to count, and the ability to distinguish between a named character and a background character. When we’re discussing violent acts, this argument is frequently made, because there will be so many more men running around on screen than women that, of course, in raw numbers, more violent acts are happening to men than women.
Let’s break this situation down.