Evil Season 1 Episode 1: Pilot Recap/Review

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Evil’s Mike Colter, star of Netflix’s recently canceled Luke Cage, and his costar Katja Herbers, from Divorce, have a lovely working and romantic chemistry together. However, I had a little trouble moving on from his romance with Rosario Dawson/Claire Temple. After everything they went through to be together, it’s still just a little too soon.

Such are the perils of watching too much TV.

Not that Colter’s new character, David Acosta, will be getting up to anything overtly romantic with Herbers’ character, Dr Kristin Bouchard, anytime soon, since he is a Catholic priest in training and she is the married mother of four young daughters who is also the sole financial support of her family. Even though a seminary student like David, who’s only 2 years into his 5 year training program, can still walk away, especially if he entered the program out of grief and guilt over a lost loved one, as is strongly implied in the pilot. And even though a lapsed Catholic such as Kristen can break her marriage vows, especially to an absentee husband who barely contributes to the support of his family while he’s pursuing his own selfish goals.

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The Testaments by Maragret Atwood: Spoilery Discussion

Power of the Pen

My non spoilery review of The Testaments is HERE. This post will comment on the book in detail and assumes readers have already finished reading it.

This is going to be a series of observations and analysis, in no particular order, rather than a straight review. I’d love to hear what everyone else thinks and if you agree or disagree with me. There are minor spoilers for the TV series The Handmaid’s Tale.

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Prime Video’s Undone Season 1 Review/Episode 1: The Crash Recap

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Prime Video’s new animated series for adults, Undone, is a unique show that explores mind-bending themes, mental health and family drama in 8 short, 22-24 minute long episodes, making the most of its stellar cast and experienced animation team in each episode. Creators Raphael Bob-Waksberg and Kate Purdy (BoJack Horseman) used the animation technique of rotoscoping to give the series a surreal quality that takes it a step beyond magical realism.

Rotoscoping involves filming the actors in live action, then tracing over the filmed images to create a polished animated product. Undone is the first serialized TV series to be fully animated using rotoscoping. Probably its most famous previous use was in the film A Scanner Darkly. The same team, Minnow Mountain, did the rotoscoping on both that film and Undone.

Undone is the story of Alma Winograd-Diaz (Rosa Salazar), a young woman who is struggling with her goals and identity, in addition to the lingering trauma from her father Jacob’s (Bob Odenkirk) death when she was a child. Outwardly, her life seems Happy and Fine. She lives with her nice boyfriend, Sam (Siddharth Dhananjay), and has a decent job at a daycare center, working with her good friend and boss, Tunde (Daveed Diggs). (Who wouldn’t want to work with the voice of Daveed Diggs?)

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Book Review- An Easy Death (Gunnie Rose Book 1) by Charlaine Harris

 

book cover of An Easy Death

The first thing Gunnie Rose does when she gets her own book series is get a makeover haircut, to show how her life is about to go through some drastic changes. Gunnie Rose, who is also known as Lizbeth, actually has multiple reasons for her new look. She’s a 19 year old woman who lives in what would be the southwestern US, if she lived in our world, and her work as an almost magical sharpshooter keeps her outdoors most of the time, so her long hair gets hot and sticky. Plus her hair grows in long ringlets, which her boyfriend paid more attention to than he did to the rest of her, so she figured it was time to remind him to pay more attention to the person underneath the hair. But probably most importantly of all, since she’s called Gunnie for a good reason, the ringlets are dragging down her job performance and her reputation. She’s NOT adorable, okay?

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Dark Season 2 Episode 8: Endings and Beginnings Recap

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Bring on the apocalypse. In season 2 episode 8, Endings and Beginnings, it’s June 27, 2020. We spend the episode counting down to the fateful moment as the key players are moved around the board one more time, so as to be in the proper places when Adam’s plans come to fruition.

This is an episode about death and salvation. Personal salvation, the salvation of the world, and the fight to save Time as an entity. The death of individuals and the apocalyptic death which engulfs Winden, which bring about the death of hope and idealism. Not every who dies is really dead, and not everyone who’s saved realizes they’re being saved. The episode is a shell game, as frequently happens on Dark.

The entire season has been about beginnings and endings, and whether they really exist at all in Winden. This episode brings an end to the second cycle, but it brings up the question again of exactly what game is being played and if anyone can really win.

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Fair Warning: Misogyny Is an Ideology Which Leads to Violence Against Women and I Won’t Ignore It

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While this looks like a stranger, women are much more likely to be injured or killed by a man they know. Photo by Sebastiaan Stam on Pexels.com

I’ve gotten some new followers lately, so, Hi and welcome! There’s something I need to say to everyone, before we go any further.

Currently, most of you are here to read Dark, a show we all love. But the character of Hannah is the target of so much misogyny it’s scary, on the show and in the real/online world. This pertains to other shows as well, with other characters who become the target for misogynists. On Altered Carbon season 1, it was Kristin Ortega. On Agents of SHIELD, it’s Daisy. Women who think and act for themselves, without regard to what the men around them want. Just like men do.

In the real world, women like Hannah, Kristin, Daisy and me (and you, if you are a woman) die every day because misogyny isn’t recognized, so, even though some of you would like me to, I won’t shut up about it. While racism is getting the attention it needs, the hatred and oppression of women, the other motivator for mass shootings, everyday killings and abuse, is largely being ignored, even though it was the motivator for the second shooting of the weekend of August 4, 2019, in Dayton, OH. Even though violence against women is on the increase, separate from mass shootings.

Racially motivated violence is described as being ideologically motivated, a label that gives it more weight and prompts calls to action to stop the white supremacists and white nationalists. Meanwhile, “experts” and law enforcement officials acknowledge the misogynist opinions and activities of violent criminals but refuse to acknowledge that misogyny is an ideology that leads to living a violent, cult-like lifestyle just as religious and racial extremism do.

Yet we know that many of the most recent mass shootings have been perpetrated by misogynist extremists who identify as such, calling themselves by such names as Incels (involuntary celibates) or Red Pillers (anti-feminists). It’s time we started calling out extremist misogyny as the dangerous, cult-like IDEOLOGY that it is.

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Daenerys Targaryen and Natasha Romanoff: Two Powerful Women Meet Demoralizing Ends

In the Age Old Choice for Female Characters Between Powerful or Good, Wh*re or Madonna, Modern Writers Frequently Land on a Third Choice: Insane or Suicidal, Then Dead

When Joss Whedon’s dream came true and Natalia Alianovna Romanoff willingly flung herself to her death, I felt nothing. I knew from the moment she and Clint went off for the Soul Stone that she would die, but, stupidly, I didn’t quite get to the realization that she would be the one to kill herself – one of the few decisions she’s made for herself in her time in the MCU.

There aren’t a lot of options for women and girls to look up to as role models in media – not female ones, anyway. Growing up, I was always looking for female role models in media, and I frequently ended up in love with the ones who had agency, above all else. The “powerful or good” dichotomy that I wrote about in a post in response to the Frozen musical details the struggle I’ve always found in female characters. You can be powerful or good, have agency or compassion, intelligence or charm, be sexy or moral – wh*re or madonna.

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Netflix’s Bodyguard Season 1: Review

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Bodyguard is a 6 episode BBC crime thriller that’s been released globally as a Netflix Original. Created by Jed Mercurio (Line of Duty) and starring Richard Madden (Game of Thrones) and Keeley Hawes (The Durrells in Corfu), Bodyguard has no connection to the 1992 Whitney Houston/Kevin Costner movie The Bodyguard. Last fall, Bodyguard became a ratings sensation in the UK, where it was shown as a weekly series and broke viewing records.

There is good reason for that. The show is gripping and intense from the first minute, when we meet main character David Budd, an Afghanistan veteran with untreated PTSD who is currently working for London’s Metropolitan Police Service as a Principal Protection Officer (PPO), or as we layman think of it, a bodyguard, for important members of the British government. He’s traveling on a train with his two children and discovers a suicide bomber, Nadia (Anjli Mohindra) hiding in the bathroom at the end of their car. In the powerful opening sequence, David takes it upon himself to talk Nadia down so that everyone comes out of the situation alive, disobeying orders from the bomb squad as he works with Nadia to ensure that she’s captured instead of killed.

After his heroic success on the train, David gets noticed by his superiors, and promoted to protecting the controversial, right-wing Home Secretary*, Julia Montague. Montague is pushing for legislation that would allow increased surveillance by law enforcement agencies, an idea that’s unpopular with many in the public and in the government. She’s also ambitious and widely believed to be considering an end run around the usual channels in order to become Prime Minister.

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The Women of The Passage: Character Analysis

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One of the main themes of The Passage, both the TV series and the book trilogy, could be summed up in the title of S1 Ep8 of the series: You Are Not That Girl Anymore. The major female characters of The Passage have all grown this season and had an impact on the main arc of the story.

The future relies on Amy Bellafonte and how she weathers the virus and her relationship with the other virals. It’s Dr Nichole Sykes’ commitment to Jonas Lear’s vision that made Project NOAH what it is, and she is still an important part of the evolving nature of the virus and virals. Dr Lila Wolgast has provided emotional, medical and logistical support for Brad, Amy, Richards, Sykes and Lacey at key moments. Shauna Babcock is Fanning’s second in command. Lacey Antoine rescued Brad and Amy and gave them a hideout from Richards’ pursuit. Elizabeth Lear was the catalyst for the entire endeavor. She was both Jonas’ excuse for pursuing the Bolivian rumors until the end of the world and the voice of reason in his head telling him he was going too far.


Shauna Babcock

Though there are a few female inmates who have become virals, Shauna Babcock is the only one we’ve seen communicate with humans and whose backstory we’ve been given in detail. Shauna has lived a complicated life, and has created a complicated web of relationships within Project NOAH. Manipulation is her specialty, making it difficult to tell when she’s being sincere and when she’s using someone.

In the story she told Clark, she’s a victim with a tragic backstory who finally snapped. Shauna was regularly raped by her stepfather from the ages of 8-16, until she was old enough to stand up to him and make him stop.

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Movie Review: The Breaker Upperers

The Breaker Upperers Poster

The Breaker Upperers * 2018 * Not Rated- Probably PG-13 for Language, Nudity and Adult Situations * 82 Minutes 

😸😸😸😸🌑  Rated 4/5 Happy Lap Cats

Spoiler-Free Review:

As the poster above says, 6 different times, The Breaker Upperers is hilarious. It is, first and foremost, a wacky comedy that’s not afraid to go for the laugh in whatever situation it finds itself in, whether that’s with a newly pregnant woman becoming nauseated while sharing the news with a friend, or engaging in drunken karaoke on a party bus.

Actually, those situations are likely to end the same way, so maybe that wasn’t the example of opposites I was looking for.

The great thing about this film is that, while it’s a wacky, screwball, sort of romantic, sort of musical, sort of dark, comedy, it’s also real. It’s the kind of female-oriented film I’ve been looking for on Netflix, as I’ve watched their romantic comedies pile up over the last year, almost all so laden with stereotypes and misogyny that I can barely manage to finish one viewing. The two female characters at the center of this film are just people, living their lives, not heroes, not villains, not stereotypes, and not trying to be any of those things. So are the rest of the characters.

The Breaker Upperers was written, directed by and stars Madeleine Sami and Jackie van Beek, two multi-talented women from New Zealand, who have been friends for many years in real life. In the film, they play Mel and Jen, who have also been friends for many years. Mel and Jen own and operate their own business, the titular Breaker Upperers, who clients hire to do the dirty work of ending a relationship when they can’t or don’t want to do it themselves.

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