Hulu’s new retro noir series Reprisal is a unique show filled unique characters. As such, it deserves a spot in their pantheon of shows such as The Handmaid’s Tale and Runaways which highlight complicated characters in fictional worlds that just keep improving the more involved the viewer gets. Altered Carbon is on Netflix, not Hulu, but it’s another show with a similar viewing experience, where it takes several episodes for the characters and the world to click into place and the plot to really take off. Then the viewing experience just gets better and better, as we’re plunged into an immersive world, where everyone has an agenda and anything can happen.
Reprisal takes place in an alternate universe that’s not set in a particular time period, but isn’t the future. It’s set in a neon swingers’ punk gangster scene that combines the look of the late 1940s- early 60s Rat Pack with a few more modern conveniences like 2000s flip phones and 70s muscle cars. It’s gorgeous and lives by its own rules, as this show does in every way.
The Katie Hill revenge porn saga highlights much that’s wrong with our culture today, especially when juxtaposed against the Trump non-impeachment saga. I’ve watched both unfold with horror, reminded of how truly powerless we average citizens are. Of how powerless women ultimately are.
I don’t have the answers for how to stop revenge porn or Donald Trump and the Republicans. I mean, I do- enforcing the constitution and laws that are already in place would be a good start. So would treating women like the equal, dignified human beings we are. But more energetic, smarter people than me are working very hard on those crises. Sometimes the problems of the patriarchy seem intractable and like they’re only getting worse, no matter how hard we fight.
So today, I’m going to focus on the issue in a more individual way. I was struck by how victimized…
Evil’s Mike Colter, star of Netflix’s recently canceled Luke Cage, and his costar Katja Herbers, from Divorce, have a lovely working and romantic chemistry together. However, I had a little trouble moving on from his romance with Rosario Dawson/Claire Temple. After everything they went through to be together, it’s still just a little too soon.
Such are the perils of watching too much TV.
Not that Colter’s new character, David Acosta, will be getting up to anything overtly romantic with Herbers’ character, Dr Kristin Bouchard, anytime soon, since he is a Catholic priest in training and she is the married mother of four young daughters who is also the sole financial support of her family. Even though a seminary student like David, who’s only 2 years into his 5 year training program, can still walk away, especially if he entered the program out of grief and guilt over a lost loved one, as is strongly implied in the pilot. And even though a lapsed Catholic such as Kristen can break her marriage vows, especially to an absentee husband who barely contributes to the support of his family while he’s pursuing his own selfish goals.
My non spoilery review of The Testaments is HERE. This post will comment on the book in detail and assumes readers have already finished reading it.
This is going to be a series of observations and analysis, in no particular order, rather than a straight review. I’d love to hear what everyone else thinks and if you agree or disagree with me. There are minor spoilers for the TV series The Handmaid’s Tale.
Prime Video’s new animated series for adults, Undone, is a unique show that explores mind-bending themes, mental health and family drama in 8 short, 22-24 minute long episodes, making the most of its stellar cast and experienced animation team in each episode. Creators Raphael Bob-Waksberg and Kate Purdy (BoJack Horseman) used the animation technique of rotoscoping to give the series a surreal quality that takes it a step beyond magical realism.
Rotoscoping involves filming the actors in live action, then tracing over the filmed images to create a polished animated product. Undone is the first serialized TV series to be fully animated using rotoscoping. Probably its most famous previous use was in the film A Scanner Darkly. The same team, Minnow Mountain, did the rotoscoping on both that film and Undone.
Undone is the story of Alma Winograd-Diaz (Rosa Salazar), a young woman who is struggling with her goals and identity, in addition to the lingering trauma from her father Jacob’s (Bob Odenkirk) death when she was a child. Outwardly, her life seems Happy and Fine. She lives with her nice boyfriend, Sam (Siddharth Dhananjay), and has a decent job at a daycare center, working with her good friend and boss, Tunde (Daveed Diggs). (Who wouldn’t want to work with the voice of Daveed Diggs?)
The first thing Gunnie Rose does when she gets her own book series is get a makeover haircut, to show how her life is about to go through some drastic changes. Gunnie Rose, who is also known as Lizbeth, actually has multiple reasons for her new look. She’s a 19 year old woman who lives in what would be the southwestern US, if she lived in our world, and her work as an almost magical sharpshooter keeps her outdoors most of the time, so her long hair gets hot and sticky. Plus her hair grows in long ringlets, which her boyfriend paid more attention to than he did to the rest of her, so she figured it was time to remind him to pay more attention to the person underneath the hair. But probably most importantly of all, since she’s called Gunnie for a good reason, the ringlets are dragging down her job performance and her reputation. She’s NOT adorable, okay?
Bring on the apocalypse. In season 2 episode 8, Endings and Beginnings, it’s June 27, 2020. We spend the episode counting down to the fateful moment as the key players are moved around the board one more time, so as to be in the proper places when Adam’s plans come to fruition.
This is an episode about death and salvation. Personal salvation, the salvation of the world, and the fight to save Time as an entity. The death of individuals and the apocalyptic death which engulfs Winden, which bring about the death of hope and idealism. Not every who dies is really dead, and not everyone who’s saved realizes they’re being saved. The episode is a shell game, as frequently happens on Dark.
The entire season has been about beginnings and endings, and whether they really exist at all in Winden. This episode brings an end to the second cycle, but it brings up the question again of exactly what game is being played and if anyone can really win.
I’ve gotten some new followers lately, so, Hi and welcome! There’s something I need to say to everyone, before we go any further.
Currently, most of you are here to read Dark, a show we all love. But the character of Hannah is the target of so much misogyny it’s scary, on the show and in the real/online world. This pertains to other shows as well, with other characters who become the target for misogynists. On Altered Carbon season 1, it was Kristin Ortega. On Agents of SHIELD, it’s Daisy. Women who think and act for themselves, without regard to what the men around them want. Just like men do.
In the real world, women like Hannah, Kristin, Daisy and me (and you, if you are a woman) die every day because misogyny isn’t recognized, so, even though some of you would like me to, I won’t shut up about it. While racism is getting the attention it needs, the hatred and oppression of women, the other motivator for mass shootings, everyday killings and abuse, is largely being ignored, even though it was the motivator for the second shooting of the weekend of August 4, 2019, in Dayton, OH. Even though violence against women is on the increase, separate from mass shootings.
Racially motivated violence is described as being ideologically motivated, a label that gives it more weight and prompts calls to action to stop the white supremacists and white nationalists. Meanwhile, “experts” and law enforcement officials acknowledge the misogynist opinions and activities of violent criminals but refuse to acknowledge that misogyny is an ideologythat leads to living a violent, cult-like lifestyle just as religious and racial extremism do.
Yet we know that many of the most recent mass shootings have been perpetrated by misogynist extremists who identify as such, calling themselves by such names as Incels (involuntary celibates) or Red Pillers (anti-feminists). It’s time we started calling out extremist misogyny as the dangerous, cult-like IDEOLOGY that it is.
In the Age Old Choice for Female Characters Between Powerful or Good, Wh*re or Madonna, Modern Writers Frequently Land on a Third Choice: Insane or Suicidal, Then Dead
When Joss Whedon’s dream came true and Natalia Alianovna Romanoff willingly flung herself to her death, I felt nothing. I knew from the moment she and Clint went off for the Soul Stone that she would die, but, stupidly, I didn’t quite get to the realization that she would be the one to kill herself – one of the few decisions she’s made for herself in her time in the MCU.
There aren’t a lot of options for women and girls to look up to as role models in media – not female ones, anyway. Growing up, I was always looking for female role models in media, and I frequently ended up in love with the ones who had agency, above all else. The “powerful or good” dichotomy that I wrote about in a post in response to the Frozen musical details the struggle I’ve always found in female characters. You can be powerful or good, have agency or compassion, intelligence or charm, be sexy or moral – wh*re or madonna.