HULU’s The Handmaid’s Tale Season 1 Analysis and Commentary

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They Should Never Have Given Us Uniforms If They Didn’t Want Us to Be an Army.

After watching the 2017 Emmy Awards, Metamaiden and I finally got around to our long-planned rewatch of HULU’s The Handmaid’s Tale. We watched it when it aired weekly in the spring, along with everyone else, and loved it. I didn’t write weekly recaps because I know the book, having read it in the 80s, and I haven’t figured out how to write about ongoing series based on a book that I already know.

So, after binge rewatching the entire season, we present to you the compromise post: our typical season ending discussion.

 

Review

I’m not going to bother with much of a review. This series has won 8 Primetime Emmy Awards, and every one of the winners for Handmaid’s Tale deserved it. There could have been multiple winners in the various outstanding actress categories. The acting, cinematography, production design, and direction all deserve the many accolades they’ve received.

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A Vagina for a Face: The Monsters, Men and Women of Stranger Things Season 1

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Ridiculous, Epic Amounts of Analysis, Commentary and Questions, Just in Time for Season 2

I have a lot of thoughts on Eleven, the Upside Down monster, and the other female characters from Stranger Things, going in several different directions. I want to explore as many of them as possible, so this is going to be another rambley post that goes all over the place. (Like I ever write anything else.) I’ll throw in some character analysis of the boys as well, since not all of them fall into the monster category. 😘

 

Who Is El?

Before we get to El, let’s look at her nemesis, the Upside Down monster for a moment. The Upside Down monster turns out to have a lot in common with the Alien monster and the Thing. All are female and using human bodies to incubate their young. All three are unusual in that they have monstrous appearances, unlike most female monsters. All are relentless in their drive to kill humans, which is really a combination of survival instinct and the drive to reproduce that all species feel. The narrative never points this out with any of these monsters, even though you’d think a breeding mother would elicit some understanding.

El, the powerful counterpart to the Upside Down monster, is a prepubescent girl on the brink of womanhood/menstruation, discovering her power as a woman, feeling the hormones rise in her body. She bleeds every time she uses her powers to symbolize this, and because women are kept shackled in our society, so that they can’t turn on men or become too powerful.

Female superheroes are rarely intelligent, attractive, powerful, and emotionally well-adjusted all at once. There will always be at least one area in which they need men to guide and support them. Superman, Ironman, Captain America, and Batman all function fine without a woman, even though they each have flaws. But Buffy, Black Widow, the Scarlet Witch, Wonder Woman and Cat Woman are emotional messes, children or childlike, who need lovers, brothers and father figures to show them how to function in the world.

So El is weakened by the use of her powers, and kept ignorant of the world, leaving her easier to control and less likely to escape. In our culture, most men can’t handle watching women who are better than them and don’t need them. Since these shows are made by men, this says some interesting things about male psychology. A truly strong, confident man wouldn’t need to hold women, and even little girls like El, back, to make himself feel strong and necessary. Yet in show after show, we find women who are overtly powerful, but held back by excuses their male creators have made up to keep them tied to men long after a man would have become independent.

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Role Models for Girls: The Good, the Evil, and the Frozen

 

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Or, Why Do Little Girls have to Choose Between Being Good and Being Powerful?

I was never much for Disney princesses growing up. None of them ever spoke to me. I was more into characters like Simba from Lion King. I suppose, for whatever reason, I was more concerned with the personality and journey of the character than their gender. Cinderella, Snow White, Sleeping Beauty, Jasmine, Ariel…none of them did anything for me. I don’t even remember thinking they were particularly pretty. I liked Megara from Hercules a little, but I was more about Pegasus, Hercules, and Hades in that movie. The complex characters with clear goals and inner journeys were always the ones who appealed to me. (And animals. Being an animal makes a big difference to me.)

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Forget Hugh Hefner: Helen Gurley Brown and Erica Jong Were the Real Feminist Sexual Revolutionaries

Or, Whatever Happened to the Cosmo Girl and the Zipless F*ck?

I’ve been sickened by the response to Playboy Hugh Hefner’s death this week. He’s been hailed as a feminist, a liberator of women, a liberal icon. The man was none of those things. He exploited, drugged, abused, raped, manipulated, degraded, and publicly humiliated women, and much more. If anything, the embrace of Hefner’s “philosophy” of treating women as objects and prostitutes set the women’s movement back. He was anything but sex positive for women. Hefner controlled the women in his orbit with little concern for their health or well-being, much less their sexual pleasure…

…Helen Gurley Brown gave young women permission to put themselves, their careers, and their own sexual desires first, and to put off marriage and caregiving for as long as they wanted. What is the role of women in Hugh Hefner’s world, if not another form of caregiver, this time as the ever-enthusiastic and willing sexual partner who fulfills the man’s every need with no thought to her own? That’s not Helen Gurley Brown’s Cosmo Girl, who takes care of herself and doesn’t depend on men. She loves to date men and look great when she goes out, but they don’t control or own her. This subtle difference gets missed a lot.

Read the rest of Metacrone’s post on our sister site, WitchyRamblings.com.

 

More on GYNX the Play

 

 

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A homeless teen lesbian, a prostituted girl, an underground
abortionist, and a child porn survivor are recruited into
a rapist castration plot by a mysterious woman named
Gynx. Men go into hiding, and their operation makes global
headlines. But when Gynx’s true motives are revealed,
the group is forced to question whether
they are truly on the side of justice.

We had notes that we didn’t have room for in our review of GYNX by Alicen Grey, so, in the spirit of an “outtakes” post, here are some more thoughts on the play:

In some ways, the play reminds me of Disgraced, the 2012 Pulitzer Prize-winning Broadway play by Ayad Akhtar about the dehumanization of Muslim men in America. Disgraced showed us that stereotyping and racism can lead to the exact dangers that the dominant culture is afraid of. Its characters were realistic people, but they were also stereotypes and symbols. GYNX uses the same method with its characters and story.

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Frozen the Musical vs Radical Feminist Theatre

I thought I was done writing about the Frozen live musical adaptation, but I guess I’m not. The thing is, both Metamaiden and I aren’t done thinking about it. The new song Monster, written by Oscar, h*ell, EGOT-winning songwriters, is stuck in our heads, telling us over and over that being a powerful woman is dangerous, that we should either leave and go live in solitude or, even better, kill ourselves, so that we don’t destroy our country and everything we hold dear.

And that’s only the beginning. I, personally, like most adult women, am a sexual assault survivor, which I have rarely, if ever, talked about. (Probably also like most women.) The scene where Kristoff rips Anna’s dress off and forcefully throws it off stage, while telling her how stupid she is, was very triggering for me, especially after seeing it twice.*

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Joss Whedon’s Ex-Wife Reveals That He Is a Hypocrite Who Gaslighted Her for 15 Years

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I Am Not Shocked at All

On Sunday, while I was traveling and wasting my life explaining my issues with the Frozen adaptation, Kai Cole, Joss Whedon’s ex-wife and partner of almost 20 years, published an open essay explaining the reasons for their divorce. Turns out Whedon cheated on his wife for most of their marriage and lied to his wife about it for the entire time. He had affairs with the actresses he worked with, other co-workers, fans, and friends. Never mind the dubious nature of Whedon sleeping with fans who worshiped him and actresses who worked for him. All the while, he was also presenting himself to the world as a champion of women, as someone who was fighting for women’s rights. A woman’s right to be used by a powerful man was what he meant, apparently.

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Frozen the Musical in Denver: Full Review and Analysis of 8/17/17

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This review is based on the world premiere opening night performance, 8/17/17. There are MAJOR SPOILERS AHEAD. I go into detail about many aspects of the show. I also, as usual, share my opinions and theories. Also, as usual, I call it as I see it. If you can’t handle honest opinions, this isn’t the site for you.


There’s a lot to love about the live version of Frozen, most especially the cast. But my conclusion is that they needed Julie Taymor, the uber talented director who brought The Lion King to the stage, to midwife this show, as well. This show needed to be a spectacle show that focussed on the two sisters’ relationship and journeys to full adulthood, and on Elsa’s ice creations, much as The Lion King manages to both focus on Simba’s relationships and coming of age story, and the pageantry of the costumes and props, without the spectacle overwhelming the characters or story.

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Dear Evan Hansen Rants: Evan and His Mom

Evan and Heidi

Ooohkay, I have a lot of thoughts on this show, which is funny because I have a lot of issues with it but I also have a lot of meta about it. Who knows how many parts to this there will be. Whichever part comes first will have a hint of some other parts of my analysis, because no piece is complete without the rest, but I’d have to publish a novel to do it all at once. To start, here’s my analysis of one of the most crucial relationships in the show – Evan and his mom, Heidi.

When the world sees Evan’s “Dear Evan Hansen” note*, thinking it was Connor’s suicide note, they’re horrified by how badly it implies Connor’s parents treated him. But those were Evan’s words. What does that say about Heidi? Heidi is the only one, besides the Murphys, who knows it was Evan. And it makes her realize how distant she’s been. She has the same reaction that the rest of the world had towards Connor’s family, but towards herself. As the “you are not alone” line from You Will Be Found plays after Alana shares the note, images of the letter and people’s reactions to it swirl around, and Heidi is briefly in the center of it, looking up at the images. We’re seeing her react to it, really seeing her son for the first time since his father left. She’s being confronted with how far she’s wandered from being the parent she’d intended to be, and how much that’s hurt Evan.

A person’s childhood and parenting shape who they are. Examining Evan’s mother and father, it’s clear how he ended up with the issues he has. Heidi is so exhausted and overextended from working hard just to keep herself and her son afloat and trying to get them a better life by going to school that she doesn’t have anything left for Evan emotionally. Understandably, she needs him to be okay so that she can focus on work and school. In many ways, he is her whole world. Everything she does, from spending so much time at work, to going to school, to looking for ways to get Evan into college, is for him. She is trying. When she hears about Connor’s suicide, she’s concerned about Evan’s reaction to it and tries to reach out to him. She asks him regularly if he still has enough pills and reminds him and encourages him to do the assignments his therapist gives him. She loves him dearly and is doing the best she can, and it’s not her fault that she’s only human and can’t be everything Evan needs.

That said, she also isn’t doing as well as she could. She hasn’t set aside a regular night, perhaps every Saturday or Sunday night, for them to have dinner together. Instead, as Evan points out, she randomly takes nights off without asking him or letting him know about it beforehand and expects him to drop everything and spend time with her.

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The Women of Riverdale: Character Analysis

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Penelope Blossom

Penelope is cunning, devious, calculating, and cruel, a true Blossom through and through. She also was a loving mother toward Jason and a loyal wife to Clifford, as far as we can tell, until he was revealed as the murderer. Even then, she seemed to have divided loyalties between Jason and Clifford.

Jason’s death broke her, but was she broken before that? Why is she so abusive toward Cheryl? Projected self-hatred? Why didn’t she suspect Clifford of Jason’s murder? Did she know about the drugs? It would seem that she did, because she knew that Cliff arranged for Hiram’s arrest.

Cheryl is the only family member she completely despises, which suggests that Cheryl may not actually be her child. The possibility remains that one or both twins were born using a surrogate’s eggs, with Mary Andrews being the most likely candidate. Alternatively, Cheryl may be Clifford’s child from an affair, born around the same time as Jason, and brought home by Cliff to be raised with Jason as his twin. That would explain Penelope’s hatred.

I’m still half convinced that everyone in town is a distant Blossom relation. It would explain a lot. Only the favored branches still own a piece of the syrup/drug business, and there are resentments about old and new slights all over the place. Given that the Blossom men do seem to be cursed to early deaths, the women have to be the ones in the family with the real power. That would leave Penelope at the center of that extended family web, as the new head of the syrup business. I suspect that she has some connection to every Blossom feud, curse, and scandal ever.

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