Frozen the Musical in Denver 8/19/17: Analysis and Comparison to 8/17/17

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It was great to see Frozen a second time time on Saturday night, the production’s third performance. The show had already made changes since Thursday night. Most noticeably, the lighting has been upgraded, which makes everything look more polished, and helps the ice effects. I still feel like they come up short in several places, but the stronger lighting added depth and sparkle that wasn’t there on Thursday. The improved lighting makes the whole production feel much more like it’s ready for Broadway instead of  community theatre.

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Frozen the Musical in Denver: Full Review and Analysis of 8/17/17

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This review is based on the world premiere opening night performance, 8/17/17. There are MAJOR SPOILERS AHEAD. I go into detail about many aspects of the show. I also, as usual, share my opinions and theories. Also, as usual, I call it as I see it. If you can’t handle honest opinions, this isn’t the site for you.


There’s a lot to love about the live version of Frozen, most especially the cast. But my conclusion is that they needed Julie Taymor, the uber talented director who brought The Lion King to the stage, to midwife this show, as well. This show needed to be a spectacle show that focussed on the two sisters’ relationship and journeys to full adulthood, and on Elsa’s ice creations, much as The Lion King manages to both focus on Simba’s relationships and coming of age story, and the pageantry of the costumes and props, without the spectacle overwhelming the characters or story.

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Frozen the Musical Denver Opening Night: First Impressions

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Waiting for the snow show to start.

This should be obvious, but just in case, there are spoilers for the Broadway-bound Frozen stage musical ahead.

Just a few quick thoughts tonight, and some photos. Not of the show itself, of course. Disney would take this site down faster than I can type this sentence. Same for audio, only they’d threaten me even more. There should be professional photos available now that the previews have started, so I’ll post those when I find them.

The show was, as advertised, longer than the movie, with new songs and more depth added to some of the characters. Things were changed from the movie, such as the order of some events and details of how some things happen, but the story is still largely the same. The changes had mixed success, in my opinion.

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Dear Evan Hansen Rants: Evan and His Mom

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Ooohkay, I have a lot of thoughts on this show, which is funny because I have a lot of issues with it but I also have a lot of meta about it. Who knows how many parts to this there will be. Whichever part comes first will have a hint of some other parts of my analysis, because no piece is complete without the rest, but I’d have to publish a novel to do it all at once. To start, here’s my analysis of one of the most crucial relationships in the show – Evan and his mom, Heidi.

When the world sees Evan’s “Dear Evan Hansen” note*, thinking it was Connor’s suicide note, they’re horrified by how badly it implies Connor’s parents treated him. But those were Evan’s words. What does that say about Heidi? Heidi is the only one, besides the Murphys, who knows it was Evan. And it makes her realize how distant she’s been. She has the same reaction that the rest of the world had towards Connor’s family, but towards herself. As the “you are not alone” line from You Will Be Found plays after Alana shares the note, images of the letter and people’s reactions to it swirl around, and Heidi is briefly in the center of it, looking up at the images. We’re seeing her react to it, really seeing her son for the first time since his father left. She’s being confronted with how far she’s wandered from being the parent she’d intended to be, and how much that’s hurt Evan.

A person’s childhood and parenting shape who they are. Examining Evan’s mother and father, it’s clear how he ended up with the issues he has. Heidi is so exhausted and overextended from working hard just to keep herself and her son afloat and trying to get them a better life by going to school that she doesn’t have anything left for Evan emotionally. Understandably, she needs him to be okay so that she can focus on work and school. In many ways, he is her whole world. Everything she does, from spending so much time at work, to going to school, to looking for ways to get Evan into college, is for him. She is trying. When she hears about Connor’s suicide, she’s concerned about Evan’s reaction to it and tries to reach out to him. She asks him regularly if he still has enough pills and reminds him and encourages him to do the assignments his therapist gives him. She loves him dearly and is doing the best she can, and it’s not her fault that she’s only human and can’t be everything Evan needs.

That said, she also isn’t doing as well as she could. She hasn’t set aside a regular night, perhaps every Saturday or Sunday night, for them to have dinner together. Instead, as Evan points out, she randomly takes nights off without asking him or letting him know about it beforehand and expects him to drop everything and spend time with her.

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The Women of Riverdale: Character Analysis

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Penelope Blossom

Penelope is cunning, devious, calculating, and cruel, a true Blossom through and through. She also was a loving mother toward Jason and a loyal wife to Clifford, as far as we can tell, until he was revealed as the murderer. Even then, she seemed to have divided loyalties between Jason and Clifford.

Jason’s death broke her, but was she broken before that? Why is she so abusive toward Cheryl? Projected self-hatred? Why didn’t she suspect Clifford of Jason’s murder? Did she know about the drugs? It would seem that she did, because she knew that Cliff arranged for Hiram’s arrest.

Cheryl is the only family member she completely despises, which suggests that Cheryl may not actually be her child. The possibility remains that one or both twins were born using a surrogate’s eggs, with Mary Andrews being the most likely candidate. Alternatively, Cheryl may be Clifford’s child from an affair, born around the same time as Jason, and brought home by Cliff to be raised with Jason as his twin. That would explain Penelope’s hatred.

I’m still half convinced that everyone in town is a distant Blossom relation. It would explain a lot. Only the favored branches still own a piece of the syrup/drug business, and there are resentments about old and new slights all over the place. Given that the Blossom men do seem to be cursed to early deaths, the women have to be the ones in the family with the real power. That would leave Penelope at the center of that extended family web, as the new head of the syrup business. I suspect that she has some connection to every Blossom feud, curse, and scandal ever.

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The 100 Season 4 Episode 13: Praimfaya Recap Plus Season 4 Review and Season 5 Speculation

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What’s that in the sky? Not a bird, and not Superman, that’s for sure. It could be several other things, depending on where we are in this week’s season finale of The 100. Maybe it’s Clarke playing with a satellite dish, maybe it’s Becca’s rocket, maybe it’s a mysterious prison transport ship or maybe it’s the Death Wave. The 100 ends a chapter with this episode, and sets up its next era. Our babies are growing up.

Bellamy gets his goodbye with Octavia, finally, as they talk over the radio between Becca’s lab and the bunker. He shores up her confidence so that she can face leading Oneclan for the next five years, and she tells him that she loves him. The radio dies before he can say it back, and before Clarke gets to say goodbye to Abby, but Octavia knows how Bellamy feels, and Abby made sure that she and Clarke said goodbye before Clarke left for the island. Octavia and Bellamy were the ones who needed to talk, and he needed to hear that he’s forgiven and still loved. Bellamy’s reference to Octavia as Prometheus is disturbing, since, as she points out, Prometheus ends up being punished and living in perpetual torment until he’s rescued by Hercules. Foreshadowing?

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Agents of Shield Season 4 Episode 22: World’s End/ Season Finale Recap

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Is it Halloween? No, it’s time for the return of Ghost Rider, back from the other dimensions to help with Aida! This week, we wrap up the season, tying up some dangling loose ends, but pulling a few new threads loose at the same time. What would be the fun in having a neat, tidy ending, anyway? We know we’re getting a 22 episode season 5, probably starting in November, so let’s enjoy this one and make it last all summer.

Robbie has found his way from the portal in the base to his haunted Charger, and is on the road again. May is not letting her lost bottle of Haig go. She’ll be interrogating Coulson about LMD May over the next bottle. For now, she’s got the Zephyr on automatic pilot, frequently switching altitude and thruster speed.

Jemma and Fitz discuss Ophelia’s inhuman powers, how she got them, and what they do to people. He’s a bit dramatic and self-loathing about it, and Jemma tells him that she doesn’t need his innocence, she needs his solutions that kill people, right now. He’s still uncertain and unenthusiastic, which leads Jemma to ask him if he even wants to kill Aida.

The Framework is beginning to shut down. Daisy and Coulson try to find ways to convince Mack and Yo-Yo to leave, while watching it disappear around them. Daisy feels guilty for leaving Mack behind her, but Coulson comforts her. He feels she made the best call she could, given the situation. It’s so nice to see them working together again, supportive and like a father and daughter team.

Daisy leads Radcliffe to the Triskelion, where Elena is locked up and under attack, by leaving a trail of yo-yo’s through the city. He finds her just in time. The building is disappearing around them. That building just isn’t safe in any reality.

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Why I Think “Ghost in the Shell” Is Racist As F*ck, But I’m Still Planning To See It

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Since I heard about the extremely controversial casting of Scarlett Johansson in “Ghost in the Shell,” I’ve been about as enraged by it as anyone. At first, I resolved not to see the film in protest. As a woman, I understand how meaningful it can be to see yourself represented in mainstream media. It makes you feel seen and accepted by your society, your people. It makes you feel like an equal and someone who matters. And as a lover of women in general, I don’t want to see any kind of woman shut out of our culture’s media. Every kind of woman, no matter what she looks like or how old she is or where she comes from or who she’s attracted to or what she believes in, deserves recognition and acceptance.

The film is nauseatingly racist. In addition to the blatant racism of casting a white woman in an originally Asian female role, it reportedly attempted to yellow face some of its extras, and possibly even Johansson herself.

I had a friend once who was half Chinese and half Scottish. She was outgoing, excitable, charming, feminine, and beautiful. We took ballroom dance classes together, and that was where I first realized how marginalized Asian women are. The men looked at her like she was a sex toy – old, often married men and this 14 year old girl. They flirted with her and ogled her. She was their favorite dance partner, and it had nothing to do with her dancing ability. Her personality had quite a bit to do with it, but I’m also quite certain that her race made them feel much more confident in treating her like she existed purely for their pleasure.

I often get ads for Asian women from dating sites. I get those more than any other dating site ad. I’ve seen statistics that Asian women are the most fetishized women in America. What comes with that fetishization? Viewing them as non-human.

Which is why it was so deeply offensive for this film’s producers to take an iconic, inspiring female character like Major Motoko Kusanagi and make her the default woman that we always see on our screens, rather than an underrepresented minority who deserve to see themselves as these inspiring people.

But despite feeling so strongly about that, I also couldn’t ignore that it was a female lead, who is meant to carry the film. Now, I don’t mean to say that it is REMOTELY okay that they whitewashed this character. But I kept thinking, how often do we have a female lead in a big-budget, mainstream cyberpunk film? A woman starring in an action film is unusual enough, but what’s even more unusual is a story that focuses on the humanity, or lack thereof, of a female cyborg. The cyborg trope and the question of whether cyborgs and human-like robots should be treated as equal humans has been so deeply explored within the science fiction genre that I’m sick of contemplating those questions. (I’m a sci fi baby.) It’s a very unique way to explore the human condition, and relevant to our modern world.

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#Oscars So Sexist

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That’s the hashtag that’s everywhere today, right? No, I didn’t think so. I mean, Patricia Arquette didn’t say anything to offend people by suggesting that women’s rights are as important as other causes, and the wrong movie was originally given the big award, so, as far as I can tell, virtually no one noticed that approximately THREE women gave acceptance speeches last night, and not many more won awards, even as part of a group. It was wonderful to see the diversity in the audience, as far as race and country of origin were concerned. But the women in the audience were either actresses, or plus ones. Very few were nominees for anything other than an acting award, and even fewer won. Among those who won as part of a group, almost none gave the acceptance speech. The speeches were given by the men.

Under the cut, the actual statistics on the gender of the winners and nominees.

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The ACLU’s Next Endeavor: Organizing the People’s Power to Resist

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On March 11, the ACLU is holding a Resistance Training. This event will launch People Power, the ACLU’s new effort to engage grassroots volunteers across the country and take the fight against Donald Trump’s policies not just into the courts, but into the streets. We’re organizing grassroots events in communities across the country to watch the livestream together. Please join us!

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Under the cut, a message from ACLU National Political Director Faiz Shakir, explaining more about PeoplePower.org and the livestream Resistance Training on March 11, 2017 at 5:00 PM ET.

 

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