There’s only one day left until The Man in the High Castle Season 4 is released on Amazon Prime Video on November 15th. That means it’s time to catch up on previous seasons of the streamer’s alternate history series in which the Nazis and the Japanese Empire won World War 2. We’ve got everything you need right here.
Amazon Prime Video has released a full length trailer for the upcoming final season of their alternate history series The Man in the High Castle. It’s packed with action and intrigue, giving viewers a glimpse into multiple realities. The future of the the series’ prime reality is at stake, and the trailer reveals the main characters who will decide its fate.
All episodes of season 4, the series’ wrap up, will be released on November 15, 2019.
My non spoilery review of The Testaments is HERE. This post will comment on the book in detail and assumes readers have already finished reading it.
This is going to be a series of observations and analysis, in no particular order, rather than a straight review. I’d love to hear what everyone else thinks and if you agree or disagree with me. There are minor spoilers for the TV series The Handmaid’s Tale.
Adam’s Family Tree Board: All individual photos are young versions of the characters. Left Panel: Hannah, Jonas; Doris; Egon, Claudia; Regina, Aleksander/Boris; Bartosz. Center Panel: Hannah, Jonas, Michael/Mikkel, Ines; Peter, Charlotte, Franziska, Elisabeth; Aleksander,Bartosz, Regina; Ulrich, Magnus, Martha, Katharina, Mikkel; Silja, Noah, Agnes. Right Panel: Noah?, Charlotte; Peter; Franziska, Elisabeth; Tronte, Jana, Mads; Katharina, Ulrich; Magnus, Martha; Mikkel.
Adam uses the youngest version available for his individual photos in his version of Claudia’s Winden Family Tree board. While Claudia’s board doesn’t cover the entire town, it covers most of the characters who play a significant role in season 1, and shows them in each of their phases of life. Adam’s is much more exclusive- he’s only interested in narrowing down the survivors of his apocalypse and their immediate predecessors.
I’ve gotten some new followers lately, so, Hi and welcome! There’s something I need to say to everyone, before we go any further.
Currently, most of you are here to read Dark, a show we all love. But the character of Hannah is the target of so much misogyny it’s scary, on the show and in the real/online world. This pertains to other shows as well, with other characters who become the target for misogynists. On Altered Carbon season 1, it was Kristin Ortega. On Agents of SHIELD, it’s Daisy. Women who think and act for themselves, without regard to what the men around them want. Just like men do.
In the real world, women like Hannah, Kristin, Daisy and me (and you, if you are a woman) die every day because misogyny isn’t recognized, so, even though some of you would like me to, I won’t shut up about it. While racism is getting the attention it needs, the hatred and oppression of women, the other motivator for mass shootings, everyday killings and abuse, is largely being ignored, even though it was the motivator for the second shooting of the weekend of August 4, 2019, in Dayton, OH. Even though violence against women is on the increase, separate from mass shootings.
Racially motivated violence is described as being ideologically motivated, a label that gives it more weight and prompts calls to action to stop the white supremacists and white nationalists. Meanwhile, “experts” and law enforcement officials acknowledge the misogynist opinions and activities of violent criminals but refuse to acknowledge that misogyny is an ideologythat leads to living a violent, cult-like lifestyle just as religious and racial extremism do.
Yet we know that many of the most recent mass shootings have been perpetrated by misogynist extremists who identify as such, calling themselves by such names as Incels (involuntary celibates) or Red Pillers (anti-feminists). It’s time we started calling out extremist misogyny as the dangerous, cult-like IDEOLOGY that it is.
This Seems Like a Good Time to Talk About Ulrich as a Horned God (Who Is Tied in Knots)
**Spoilers through Season 2 Episode 8**
Okay, let’s give this a whirl. As you might imagine, Horned Gods aren’t my specialty, so I’ve done some research. But also, by the end of season 2, everything metaphorical in Dark is twisted and tangled together, just like the storylines. In season 1, we had nice, neat metaphors presented in ways that couldn’t be missed, with deeper meanings there if you wanted to search for them.
But, before we go any further, a warning. I can’t ignore current events while I’m writing this, and that’s not what I’m about, anyway. This piece was always going to examine the characters, mythology and their connection to the real world. Then the real world didn’t give me a choice. The creators of Dark didn’t choose to have boys be the ones to disappear simply to give women a break from victimization. The boys of the real world are making themselves disappear, and they’re often doing it while armed to the teeth.
They set the show in a town which was losing its main source of employment and then put that town through a slow dystopia which led to a fast apocalypse. This is what Western culture has put itself through since the 1970s, when corporations began moving manufacturing jobs from their traditional bases, and the towns whose original farming and small business economies were destroyed by the factories in the 19th century were now destroyed by the factories leaving.
It’s only one week until Netflix releases season 2 of their German time travel mystery series, Dark. They’ve recently released a teaser and a full length trailer for the Dark 3 season trilogy.
The full season will be released on June 21, 2019, the day of Michael Kahnwald’s death, with which the series began. Season 2 will consist of 8 episodes that are each one hour long. The ensemble cast returns, joined by Sandra Borgmann, Winfried Glatzeder, Dietrich Hollinderbäumer and Sylvester Groth. No news that I’ve been able to find on who’ll they’ll play.
In the Age Old Choice for Female Characters Between Powerful or Good, Wh*re or Madonna, Modern Writers Frequently Land on a Third Choice: Insane or Suicidal, Then Dead
When Joss Whedon’s dream came true and Natalia Alianovna Romanoff willingly flung herself to her death, I felt nothing. I knew from the moment she and Clint went off for the Soul Stone that she would die, but, stupidly, I didn’t quite get to the realization that she would be the one to kill herself – one of the few decisions she’s made for herself in her time in the MCU.
There aren’t a lot of options for women and girls to look up to as role models in media – not female ones, anyway. Growing up, I was always looking for female role models in media, and I frequently ended up in love with the ones who had agency, above all else. The “powerful or good” dichotomy that I wrote about in a post in response to the Frozen musical details the struggle I’ve always found in female characters. You can be powerful or good, have agency or compassion, intelligence or charm, be sexy or moral – wh*re or madonna.
Fox’s series The Passage, based on the Justin Cronin trilogy of novels, finished its 10 episode first season this week with a leap forward into the apocalypse. The series spent its first season on character and world-building during the period immediately preceding the fall of the human race, so that viewers will enter season 2, if there is one, with a firm understanding of this universe’s viral vampires and the mistakes that were made to bring about the end of the world. The challenges and rivalries that the future faces are set in place, so that season 2 can hit the ground running.
One of the main themes of The Passage, both the TV series and the book trilogy, could be summed up in the title of S1 Ep8 of the series: You Are Not That Girl Anymore. The major female characters of The Passage have all grown this season and had an impact on the main arc of the story.
The future relies on Amy Bellafonte and how she weathers the virus and her relationship with the other virals. It’s Dr Nichole Sykes’ commitment to Jonas Lear’s vision that made Project NOAH what it is, and she is still an important part of the evolving nature of the virus and virals. Dr Lila Wolgast has provided emotional, medical and logistical support for Brad, Amy, Richards, Sykes and Lacey at key moments. Shauna Babcock is Fanning’s second in command. Lacey Antoine rescued Brad and Amy and gave them a hideout from Richards’ pursuit. Elizabeth Lear was the catalyst for the entire endeavor. She was both Jonas’ excuse for pursuing the Bolivian rumors until the end of the world and the voice of reason in his head telling him he was going too far.
Though there are a few female inmates who have become virals, Shauna Babcock is the only one we’ve seen communicate with humans and whose backstory we’ve been given in detail. Shauna has lived a complicated life, and has created a complicated web of relationships within Project NOAH. Manipulation is her specialty, making it difficult to tell when she’s being sincere and when she’s using someone.
In the story she told Clark, she’s a victim with a tragic backstory who finally snapped. Shauna was regularly raped by her stepfather from the ages of 8-16, until she was old enough to stand up to him and make him stop.