Horror Noire: A History of Black Horror * 2019 * Not Rated (Suggested 16+) * 1 Hour 23 Minutes
😸😸😸😸😸 5/5 Happy Lap Cats
Horror Noire is a documentary feature film that traces traces the history of African-American people in horror settings, starting with the 1915 film Birth of a Nation, which used white actors in blackface to portray the African-American characters. Horror Noire continues to cover the history of African-American involvement in horror films in front of and behind the camera up to the time of the film’s completion, including the 2017 film Get Out, which was written and directed by Jordan Peele, who went on to work on a Twilight Zone reboot and HBO’s Lovecraft Country.
Though it had a theatrical premiere, Horror Noire is normally available exclusively on the Shudder network. It’s currently included free with Amazon Prime membership until 10/31/20. The film is based on the 2011 book Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman, PhD. The documentary was directed by Xavier Burgin, produced and written by Ashlee Blackwell and Danielle Burrows, with cinematography by Mario Rodriguez, for Stage 3 Productions.
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BlacKkKlansman * 2018 * Rated R * 2 hours 15 minutes
😸😸😸😸½ Rated 4.5 Happy lap cats
BlacKkKlanman is a comedy-drama film that is a semi-fictionalized version of the true story of Ron Stallworth, the first black cop in Colorado Springs, CO. It follows his rise from a desk job to becoming an undercover detective, working on a case based on a classified ad he saw in the newspaper, recruiting new members of the white supremacist organization the Ku Klux Klan.
The film was directed by Spike Lee (She’s Gotta Have It) and produced by Jordan Peele (Get Out). It was written by Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee. It stars John David Washington as Detective Ron Stallworth, Adam Driver as Detective Philip “Flip” Zimmerman, Laura Harrier as Patrice Dumas, Topher Grace as David Duke, Jasper Pääkkönen as Felix Kendrickson, Ryan Eggold as Walter Breachway, Paul Walter Hauser as Ivanhoe, and Ashlie Atkinson as Connie Kendrickson.
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Get Out * 2017 * Rated R * 1 Hour 44 Minutes
😸😸😸😸😸 Rated 5/5 Happy lap cats
Jordan Peele has written and directed a powerful, thought-provoking movie with layers of statements to make. He’s also made a taut psychological thriller that combines the racially motivated social awkwardness of “Guess Who’s Coming to Dinner?” with the justified paranoia of “The Stepford Wives”and the slowly revealed evil of “Rosemary’s Baby”. Get Out reveals the truth about its premise incrementally, at just the right pace, so that the viewer, like lead character Chris Washington (Daniel Kaluuya), ends up similar to a frog in slowly boiling water. When he, and we, finally become sure that things have gone bad, it’s already too late, and it’s unlikely any of us will forget what we’ve already seen. As with any horror movie, there’s no escape left, so the best way out is through.
Along with Chris, Get Out follows the story of Rose Armitage (Alison Williams), a white woman who’s been dating Chris, an African-American photographer, for 4-5 months. Rose has decided that it’s time to bring Chris home to meet her upper class parents, Missy (Catherine Keener) and Dean (Bradley Whitford) who live in the exurbs of New York City, where the nearest neighbor is so far away that they can’t hear you scream. Chris asks his best friend, Rod, a TSA agent (LilRel Howery), to take care of his dog while he’s gone. They check in with each other several times during the weekend.
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