As The Handmaid’s Tale has shifted away from its season 1 dependence on the original book’s plot line, it’s frequently drawn from the dark, mature themes of the 1940s and 50s films of the Film Noir genre. Nick, June, Fred and Serena in particular tend to be involved in Film Noir plotlines, with an emphasis on mystery, crime, betrayal, murder, loyalty, regret, femmes fatales and sinful excess.
In an old school Film Noir, Nick would be the main character- his role as an Eye is close to the typical role of an investigator. He has connections in the community, a morally ambiguous, mysterious past and is conflicted in the present, making him the perfect Film Noir anti-hero. June would normally serve as the love interest or femme fatale who needs Nick’s help and either saves him or leads him astray- or possibly both.
The other characters frequently treat her as if she is a femme fatale, a seductive woman who leads her admirers into actions they wouldn’t otherwise take.Continue reading “The Handmaid’s Tale and Its Film Noir Influences”