Movie Review: Get Out

GetOutPoster

Get Out * 2017 * Rated R * 1 Hour 44 Minutes

😸😸😸😸😸 Rated 5/5 Happy lap cats

Jordan Peele has written and directed a powerful, thought-provoking movie with layers of statements to make. He’s also made a taut psychological thriller that combines the racially motivated social awkwardness of “Guess Who’s Coming to Dinner?” with the justified paranoia of “The Stepford Wives”and the slowly revealed evil of “Rosemary’s Baby”. Get Out reveals the truth about its premise incrementally, at just the right pace, so that the viewer, like lead character Chris Washington (Daniel Kaluuya), ends up similar to a frog in slowly boiling water. When he, and we, finally become sure that things have gone bad, it’s already too late, and it’s unlikely any of us will forget what we’ve already seen. As with any horror movie, there’s no escape left, so the best way out is through.

Along with Chris, Get Out follows the story of Rose Armitage (Alison Williams), a white woman who’s been dating Chris, an African-American photographer, for 4-5 months. Rose has decided that it’s time to bring Chris home to meet her upper class parents, Missy (Catherine Keener) and Dean (Bradley Whitford) who live in the exurbs of New York City, where the nearest neighbor is so far away that they can’t hear you scream. Chris asks his best friend, Rod, a TSA agent (LilRel Howery), to take care of his dog while he’s gone. They check in with each other several times during the weekend.

Continue reading “Movie Review: Get Out”

Movie Review: Mudbound

MudboundPoster

 

Mudbound * 2017 * Rated R * 2 Hours 15 Minutes

😸😸😸😸😸 Rated 5/5 happy lap cats

Spoiler Free:

Mudbound is a family saga of life in the 1940s Mississippi Delta for two farming families. One family is made up of hereditary black sharecroppers descended from former slaves. The other is a white family of former landowners and slaveowners who’ve fallen on hard times. They’ve bought land in Mississippi hoping to reestablish their wealth. The families become intertwined as their lives intersect and affect each other over the years, until a tragedy changes everything.

Mudbound was directed by Dee Rees, who also wrote the script with Virgil Williams, adapted from the book of the same name by Hillary Jordan. It’s been nominated for four Academy Awards: Best Adapted Screenplay; Best Original Song for Mighty River, sung over the closing credits by Mary J Blige; Best Supporting Actress for Mary J Blige, who plays Florence Jackson, wife and mother of the Jackson family; and Best Cinematography for Rachel Morrison, the first woman to ever be nominated for this award.

Continue reading “Movie Review: Mudbound”

Movie Review: Ingrid Goes West

IGWposter

Ingrid Goes West * 2017 * Rated R * 1 Hour 38 Minutes

At one point in Ingrid Goes West, Dan Pinto, played by O’Shea Jackson Jr., describes the life cycle of superhero crime fighting to Aubrey Plaza’s Ingrid Thorburn: Batman arrests people, takes them to Arkham Asylum, they possibly get out a few months later, and the cycle continues. It’s not that different from the cycle of internet fame and stalking, as the movie shows us.

We meet Ingrid as she’s sitting in a car outside of a wedding, watching the bride’s instagram feed in real time and crying. After a few minutes of this, Ingrid gets out of the car and storms toward the reception tent. She pulls out a can of mace and sprays it in the bride’s eyes, yelling that it’s payback for not inviting her to the wedding.

The groom tackles Ingrid as she tries to escape, and we see her next in a mental ward. We find out that she wasn’t even friends with the bride or groom, instead the bride had commented on her instagram feed once, and that was enough to trigger Ingrid to stalk her and consider them friends.

Continue reading “Movie Review: Ingrid Goes West”

Movie Review: Wind River

 

WRposter

Wind River * 2017 * Rated R * 1 Hour 47 Minutes

😸😸😸😸🌑 Rated 4/5 Happy lap cats, with some reservations

I have very mixed feelings about Wind River. On the one hand, it’s beautifully made, starring a talented group of some of my favorite actors, and tells a compelling story. On the other hand, the story is about the epidemic of sexual assault and violence against Native American women, yet the voices of these women are hardly heard. The story is told from an overwhelmingly male point of view, and the two main characters are white.

Wind River takes place on the Wind River Indian Reservation in Wyoming. Jeremy Renner plays Cory Lambert, a US Fish and Wildlife Service hunter and tracker who works on the reservation. His ex-wife, with whom he has a son, is a Native American from the reservation. They also had a teenage daughter who died mysteriously three years prior to the movie.

As he’s hunting a mountain lion that’s teaching her cubs to hunt livestock, Cory tracks bloody human footprints in the snow to the body of 18 year old Native American woman Natalie Hanson. Natalie was the best friend of Cory’s daughter Emily, so he recognizes the body, and reports her death to the tribal police, headed by Graham Greene as Ben.

Continue reading “Movie Review: Wind River”

Why I Think “Ghost in the Shell” Is Racist As F*ck, But I’m Still Planning To See It

ScarJo in Ghost in the Shell

Since I heard about the extremely controversial casting of Scarlett Johansson in “Ghost in the Shell,” I’ve been about as enraged by it as anyone. At first, I resolved not to see the film in protest. As a woman, I understand how meaningful it can be to see yourself represented in mainstream media. It makes you feel seen and accepted by your society, your people. It makes you feel like an equal and someone who matters. And as a lover of women in general, I don’t want to see any kind of woman shut out of our culture’s media. Every kind of woman, no matter what she looks like or how old she is or where she comes from or who she’s attracted to or what she believes in, deserves recognition and acceptance.

The film is nauseatingly racist. In addition to the blatant racism of casting a white woman in an originally Asian female role, it reportedly attempted to yellow face some of its extras, and possibly even Johansson herself.

I had a friend once who was half Chinese and half Scottish. She was outgoing, excitable, charming, feminine, and beautiful. We took ballroom dance classes together, and that was where I first realized how marginalized Asian women are. The men looked at her like she was a sex toy – old, often married men and this 14 year old girl. They flirted with her and ogled her. She was their favorite dance partner, and it had nothing to do with her dancing ability. Her personality had quite a bit to do with it, but I’m also quite certain that her race made them feel much more confident in treating her like she existed purely for their pleasure.

I often get ads for Asian women from dating sites. I get those more than any other dating site ad. I’ve seen statistics that Asian women are the most fetishized women in America. What comes with that fetishization? Viewing them as non-human.

Which is why it was so deeply offensive for this film’s producers to take an iconic, inspiring female character like Major Motoko Kusanagi and make her the default woman that we always see on our screens, rather than an underrepresented minority who deserve to see themselves as these inspiring people.

But despite feeling so strongly about that, I also couldn’t ignore that it was a female lead, who is meant to carry the film. Now, I don’t mean to say that it is REMOTELY okay that they whitewashed this character. But I kept thinking, how often do we have a female lead in a big-budget, mainstream cyberpunk film? A woman starring in an action film is unusual enough, but what’s even more unusual is a story that focuses on the humanity, or lack thereof, of a female cyborg. The cyborg trope and the question of whether cyborgs and human-like robots should be treated as equal humans has been so deeply explored within the science fiction genre that I’m sick of contemplating those questions. (I’m a sci fi baby.) It’s a very unique way to explore the human condition, and relevant to our modern world.

Continue reading “Why I Think “Ghost in the Shell” Is Racist As F*ck, But I’m Still Planning To See It”

Moana Review: Female Bonding With An Unnecessary Male (Spoilers)

 

I saw Moana on its opening night! Very exciting, and for some reason there was practically no one in the theater. Night before Thanksgiving, I suppose?

Overall, I liked it. I found it emotionally moving, and the spiritual tone was enchanting to me. It is beautifully animated, and the music is absolutely beautiful (not surprising to me, as Lin Manuel-Miranda, writer and original star of Hamilton, cowrote the music). I found the messages and themes meaningful. There were a few times when I was almost brought to tears. That said, I do have some major complaints, most of which regard Maui, which I’m trying not to let color my entire interpretation of the movie.

Spoilers below! (And an unintentionally long review.)

Continue reading “Moana Review: Female Bonding With An Unnecessary Male (Spoilers)”